Moritz Fasbender is one of the numerous pseudonyms of the musician Friederike Bernhardt. The influences of her work for theater as well as for radio or her studies in electroacoustic composition are an essential expression of the sound language in her current works. Voices, gardens, animals or tennis rackets play just as big a role as the piano or her armada of synths. Over the past two years, Friederike Bernhardt has been searching for an expression that combines piano and electronic sound generators in such a way that it creates a new understanding of the energy of electronics not just as an effect, but as its own language.
TELESKOP does: //PR